{"id":14,"date":"2023-03-27T09:45:37","date_gmt":"2023-03-27T09:45:37","guid":{"rendered":"http:\/\/www.florisbrasser.com\/?page_id=14"},"modified":"2025-08-14T08:26:36","modified_gmt":"2025-08-14T08:26:36","slug":"beelden","status":"publish","type":"page","link":"https:\/\/www.florisbrasser.com\/?page_id=14","title":{"rendered":"Sculpturen"},"content":{"rendered":"\n

In mijn beelden schuurt het, ergens in de tegenstelling tussen schoonheid, tragiek en geweld. Ze moeten iets oproepen, losmaken, een snaar raken. Wat precies, is niet aan mij, maar voor iedereen anders. Het liefst gebruik ik de hele stam van een boom en voeg ik niets toe, soms combineer ik het met andere materialen zoals metaal of steen.<\/p>\n\n\n\n

Ik heb niet altijd een plan voor een beeld, het is meer een optelsom van mogelijkheden van wat ik wil en van wat wel of niet kan met het materiaal. Ik werk gevoelsmatig, experimenteer om te komen waar ik wil: contrasten zichtbaar maken, vorm en tegenvorm, binnen en buiten, tussenruimte en omgeving. Me inleven in het materiaal, een verbond aangaan met het stuk hout, daar draait het om. Voelend zien …<\/p>\n\n\n\n

*Waar CB bij staat betreft Collectie Kunstenaar en is in overleg beschikbaar. <\/em><\/p>\n\n\n\n

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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Bundle<\/em>s<\/p>\n\n\n\n

2025, gebrand eiken, <\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Compositie <\/em><\/p>\n\n\n\n

2025, was<\/p>\n<\/div>\n\n\n\n

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Gevouwen<\/em><\/p>\n\n\n\n

2023<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Wachter<\/em><\/p>\n\n\n\n

2023<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Driebeen<\/em><\/p>\n\n\n\n

2025, kers, CK<\/p>\n<\/div>\n\n\n\n

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Pair<\/em><\/p>\n\n\n\n

2007, eik en azob\u00e9, <\/p>\n\n\n\n

Almelo en Bad Ragaz CH<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Raise the Children<\/em><\/p>\n\n\n\n

2017, kers<\/p>\n\n\n\n

landgoed Hackfort, Vorden<\/p>\n<\/div>\n\n\n\n

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After<\/em><\/p>\n\n\n\n

2017, walnoot<\/p>\n\n\n\n

Het Depot, Wageningen<\/p>\n<\/div>\n\n\n\n

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Double Dick<\/em><\/p>\n\n\n\n

2017, peer<\/p>\n\n\n\n

Het Depot Wageningen<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Modigliano’s dog<\/em><\/p>\n\n\n\n

2017, kers<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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DNA<\/em><\/p>\n\n\n\n

1999, eik<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Triple figure<\/em><\/p>\n\n\n\n

2022, robinia<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"Hart,<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Fun for Three<\/em><\/p>\n\n\n\n

2022, robinia<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Hart, Extruded trunk <\/em>en Bundle<\/em><\/p>\n\n\n\n

2022, eik, SP<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Bolletjes<\/em><\/p>\n\n\n\n

2019, eik, CK<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Theetafel<\/em><\/p>\n\n\n\n

2006, walnoot<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Mensenval<\/em><\/p>\n\n\n\n

1984, staal en steen<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Dopey<\/p>\n\n\n\n

1996, brons, robinia<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Bundle<\/em><\/p>\n\n\n\n

2019, eik<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Silenced<\/em><\/p>\n\n\n\n

2017, robinia<\/p>\n\n\n\n

Het Depot, Wageningen<\/p>\n<\/div>\n\n\n\n

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Snake figure II<\/em><\/p>\n\n\n\n

2015, eik<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n

Heads<\/em><\/p>\n\n\n\n

2019, robinia\/eik<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Dream catcher<\/em><\/p>\n\n\n\n

2011, esdoorn<\/p>\n\n\n\n

Oregon USA<\/p>\n<\/div>\n\n\n\n

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Two half cherries<\/em><\/p>\n\n\n\n

2019, kersen<\/p>\n\n\n\n

Depot, Wageningen<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Bananenboom<\/em><\/p>\n\n\n\n

2017, peer, CK<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Figure with loose arms<\/em><\/p>\n\n\n\n

1998, kastanje, CB<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Loose arms<\/em><\/p>\n\n\n\n

1998, kastanje<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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D’Angels<\/em><\/p>\n\n\n\n

1994, kastanje<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Toren studies<\/em><\/p>\n\n\n\n

2018, robinia<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Mystery Pea<\/em><\/p>\n\n\n\n

2001, Amerikaanse eik<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Abu Ghraib<\/em><\/p>\n\n\n\n

2015, eik<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Rocker<\/em><\/p>\n\n\n\n

2001, eik, staal<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Koppen<\/em> en What Lies Ahead<\/em><\/p>\n\n\n\n

2004, robinia en kers<\/p>\n\n\n\n

collectie SBK <\/p>\n<\/div>\n\n\n\n

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Split Dream<\/em><\/p>\n\n\n\n

2004, eik<\/p>\n\n\n\n

collectie Pizol Bahn CH<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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kruk<\/em><\/p>\n\n\n\n

201 steen, staal<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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tafel<\/em><\/p>\n\n\n\n

2016, eik, staal<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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kruk<\/em><\/p>\n\n\n\n

2018, steen, robinia<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

In mijn beelden schuurt het, ergens in de tegenstelling tussen schoonheid, tragiek en geweld. Ze moeten iets oproepen, losmaken, een snaar raken. Wat precies, is niet aan mij, maar voor iedereen anders. Het liefst gebruik ik de hele stam van een boom en voeg ik niets toe, soms combineer ik het met andere materialen zoals […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.florisbrasser.com\/index.php?rest_route=\/wp\/v2\/pages\/14"}],"collection":[{"href":"https:\/\/www.florisbrasser.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.florisbrasser.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.florisbrasser.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.florisbrasser.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14"}],"version-history":[{"count":45,"href":"https:\/\/www.florisbrasser.com\/index.php?rest_route=\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":558,"href":"https:\/\/www.florisbrasser.com\/index.php?rest_route=\/wp\/v2\/pages\/14\/revisions\/558"}],"wp:attachment":[{"href":"https:\/\/www.florisbrasser.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}